Details
Refiguring Techniques in Digital Visual Research
Digital Ethnography
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CHF 55.50 |
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| Verlag: | Palgrave Macmillan |
| Format: | |
| Veröffentl.: | 20.08.2017 |
| ISBN/EAN: | 9783319612225 |
| Sprache: | englisch |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
<div><p>This book interrogates how new digital-visual techniques and technologies are being used in emergent configurations of research and intervention. It discusses technological change and technological possibility; theoretical shifts toward processual paradigms; and a respectful ethics of responsibility. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the development of research, and reflect on how such theory and practice might advance what is “knowable” in a world of smartphones, drones, and 360-degree cameras. </p></div>
1. Introduction.- 2. Refiguring Techniques: Technologies, Possibilities, Emergence and an Ethics of Responsibility in Visual-digital Research.- 3. Drone Bodies: Sensual Amalgamations of the Vertical.- 4. For a Non-Linear Visual Ethnography: Reflections on the Use of i-docs as a Tool for Scientific Research.- 5. Empathetic Visuality: Go-Pros and the Video Trace.- 6. Careful Surveillance at Play: Human-Animal Relations and Mobile Media in the Home.- 7. Being There, Feeling There: Using 360 Cameras in Ethnographic Fieldwork.- 8. Ethnography through the Digital Eye: What Do We See When We Look?.- 9. Visual Documentation in Hybrid Spaces: Ethics, Publics, and Transition.- 10. At the Edges of the Visual Culture of Exile.
<div>Edgar Gómez Cruz is Vice-Chancellor Postdoctoral Research Fellow at RMIT University, Australia. He has published widely on a number of topics relating to digital culture, ethnography, and photography. <br></div><div><br></div>Shanti Sumartojo is Research Fellow in the Digital Ethnography Research Center at the School of Media and Communication at RMIT University, Australia.<div><br></div><div>Sarah Pink is Distinguished Professor and Director of the Digital Ethnography Research Center at RMIT University, Australia.</div><div><br></div>
<p>This book interrogates how new digital-visual techniques and technologies are being used in emergent configurations of research and intervention. It discusses technological change and technological possibility; theoretical shifts toward processual paradigms; and a respectful ethics of responsibility. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the development of research, and reflect on how such theory and practice might advance what is “knowable” in a world of smartphones, drones, and 360-degree cameras. </p><div><br></div>
Discusses the place of digital technology in modern scholarship Places an emphasis on applied research that doesn’t just observe the world, but participates in it Presents up-to-date engagement with modern digital-visual technology Includes supplementary material: sn.pub/extras
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