Details
A General History of Chinese Art
From the Five Dynasties to the Yuan Dynasty1. Aufl.
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CHF 141.25 |
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| Verlag: | De Gruyter |
| Format: | |
| Veröffentl.: | 03.10.2022 |
| ISBN/EAN: | 9783110790948 |
| Sprache: | englisch |
| Anzahl Seiten: | 661 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama.
<em>A General History of Chinese Art</em> comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3
<sup>rd</sup> year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books,
<em>A General History of Chinese Art</em> offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
<em>A General History of Chinese Art</em> comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3
<sup>rd</sup> year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books,
<em>A General History of Chinese Art</em> offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama.
<em>A General History of Chinese Art</em> comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3
<sup>rd</sup> year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books,
<em>A General History of Chinese Art</em> offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
<em>A General History of Chinese Art</em> comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3
<sup>rd</sup> year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books,
<em>A General History of Chinese Art</em> offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
Li Xifan (Hrsg.)
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