Details

Radio 1: The Inside Scene


Radio 1: The Inside Scene



von: Johnny Beerling

CHF 9.00

Verlag: One Media IP Group Audio
Format: MP3 (in ZIP-Archiv)
Veröffentl.: 30.11.2017
ISBN/EAN: 9781509485079
Sprache: englisch

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Beschreibungen

Delve into the past with Johnny Beerling as he shares stories of awe and wonder from his time with Britain's favourite radio station. Learn how he gained musical identity, staged the first ever British Rock & Pop Awards, and toured the country with the Radio 1 Roadshow, the biggest daily audience show that the BBC ever initiated. You'll quickly deplore the fact that things just ain't how they used to be.

Johnny Beerling is one of radio's most prominent individuals; he produced Radio 1's first ever program in '67, and quickly became a world class radio producer and station controller. He was controller of Radio 1 from 1985-93, and to no one's surprise he won the Ferguson Award in '92 for his Outstanding Contribution to Music Radio, and was elected President of the Television and Radio Industry Club of Great Britain in '93; he was even presented with a Sony Award for Outstanding Services to the Radio Industry that same year. And this is his story, written and read by the legend himself.
John William "Johnny" Beerling (born 12 April 1937) is a British radio producer and station controller.

In 1957, he joined the BBC as a Technical Operator and soon became a Studio Manager. In the early sixties he was appointed as a producer in the Gramophone Department where he worked on a number of popular programmes such as Housewives' Choice, Midday Spin, and Two Way Family Favourites as well as late evening shows like Music to Midnight. Beerling brought in Simon Dee from the pirate radio scene and he was also the first producer of Terry Wogan. As an admirer of the pirate radio stations he devised a fast moving new radio show on Saturdays called Where It's At, one of Kenny Everett earliest shows. Beerling was one of the few employees of the BBC Light Programme in the mid-1960s to regard the model of offshore pirate radio as one which the BBC would have to follow and to that end he managed to take a trip to visit Radio London to see for himself how they operated.

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