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Television, Social Media, and Fan Culture


Beschreibungen

<span><span>Television, Social Media, and Fan Culture </span><span>examines how fans use social media to engage with television programming, characters, and narrative as well as how television uses social media to engage fan cultures. The contributors review the history and impact of social media and television programming; analyze specific programs and the impact of related social media interactions; and scrutinize the past fan culture to anticipate how social media programming will develop in the future. The contributors explore a diverse array of television personalities, shows, media outlets, and fan activities in their analysis, including: Jon Stewart, Stephen Colbert, and Paula Deen; </span><span>Community</span><span>, </span><span>Game of Thrones</span><span>, </span><span>Duck Dynasty</span><span>, </span><span>Toddlers and Tiaras</span><span>, </span><span>Talking Dead</span><span>, </span><span>Breaking Bad</span><span>, </span><span>Firefly</span><span>, </span><span>Buffy the Vampire Slayer</span><span>, </span><span>Army Wives</span><span>, </span><span>The Newsroom</span><span>, </span><span>Doctor Who</span><span>, </span><span>Twin Peaks</span><span>, and </span><span>The Man from U.N.C.L.E.</span><span>; as well as ESPN’s TrueHoop Network and Yahoo’s </span><span>Ball Don’t Lie</span><span>; and cosplay.</span></span>
<span><span>Social media has brought about a revolution in fan culture, from fan uprisings to save programs to groups and pages dedicated to mourning lost programs and characters. This edited collection examines how fans use social media in regard to television programming, characters, narrative, and various types of interactions, as well as how television uses social media to engage fan cultures.</span></span>
<span><span>Chapter 1: The New Network: How Social Media is Changing—and Saving—Television</span></span>
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<span><span> Ryan Cassella</span></span>
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<span><span>Chapter 2: Spoiler Alert: Understanding Television Enjoyment in the Social Media Era </span></span>
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<span><span>Benjamin Brojakowski</span></span>
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<span><span>Chapter 3: Rhetorical Strengths &amp; Limitations of Interactivity for Activism in the Stewart and Colbert Universe</span></span>
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<span><span>Christopher A. Medjesky</span></span>
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<span><span>Chapter 4: Fandom Communication in a Mediated Age: The Use of Twitter and Blogs for Dissent Practices Among National Basketball Association (NBA) Fans</span></span>
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<span><span>Corey Jay Liberman, Michael Plugh and Brian Geltzeiler </span></span>
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<span><span>Chapter 5: What Types of #SportsFans use Social Media? The Role of Team Identity Formation and Spectatorship Motivation on Self-Disclosure during a Live Sport Broadcast </span></span>
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<span><span>Shaughan A. Keaton, Nicholas M. Watanabe &amp; Brody J. Ruihley </span></span>
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<span><span>Chapter 6: The Online Community: Fan response of </span><span>Community</span><span>’s Unlikely Fifth Season </span></span>
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<span><span>Matthew Collins and Danielle M. Stern</span></span>
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<span><span>Chapter 7: Game(s) of Fandom: The Hyperlink Labyrinths that Paratextualize </span><span>Game of Thrones </span><span>Fandom</span></span>
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<span><span>Garret Castleberry</span></span>
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<span><span>Chapter 8: </span><span>Be Original: Examining Fan Comments on A&amp;E’s </span><span>Duck Dynasty</span><span> Facebook Page After the Robertson Suspension </span></span>
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<span><span>Michel M. Haigh</span></span>
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<span><span>Chapter 9: “The Parents Have the Dream, but the Kids are in the Nightmare”: Digital Interactivity, </span><span>Toddlers &amp; Tiaras </span><span>Viewers, and Social Networking Sites</span></span>
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<span><span>Leandra H. Hernandez</span></span>
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<span><span>Chapter 10:</span><span> </span><span>Zombie Fans, Second Screen, and Television Audiences: Redefining Parasociality as Technoprosociality in AMC’s #</span><span>TalkingDead</span></span>
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<span><span>Sabrina Pasztor and Jenny Ungbha Korn</span></span>
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<span><span>Chapter 11: Memes, Tweets, and Props: How Fans Cope When Shows Go Off the Air</span></span>
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<span><span>Alane Presswood and Steve Granelli</span></span>
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<span><span>Chapter 12: So Are the Days of Our Tweets: An Examination of Twitter Use By American Daytime Serials and Their Fans</span></span>
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<span><span>Marsha Ducey</span></span>
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<span><span>Chapter 13: </span><span>Army Wives</span><span> Connect: Lifetime Viewers’ Everyday Lives and Fandom Converge in Online Communities</span></span>
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<span><span>Darcey Morris</span></span>
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<span><span>Chapter 14: </span><span>“Butter,” Facebook, and Paula Deen: Examining Fans Use of Social Media in Crisis</span></span>
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<span><span>Michel M. Haigh &amp; Shelley Wigley</span></span>
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<span><span>Chapter 15: Fans Can Be Journalists Too: A Look at Fan Interaction with HBO’s</span><span> The Newsroom</span></span>
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<span><span>Julia E. Largent &amp; Jason Roy Burnett</span></span>
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<span><span>Chapter 16: </span><span>It's Bigger on the Inside: Fandom, Social Media, and </span><span>Doctor Who</span></span>
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<span><span>Krystal Fogle</span></span>
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<span><span>Chapter 17: Television-inspired Cosplay and Social Media</span></span>
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<span><span>Laura Kane and William E. Loges</span></span>
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<span><span>Chapter 18: Who Killed @TheLauraPalmer? Twitter as a Performance Space for </span><span>Twin Peaks</span><span> Fan Fiction</span></span>
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<span><span>Kathryn L. Lookadoo and Ted M. Dickinson</span></span>
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<span><span>Chapter 19: Fifty Years of “The Man From U.N.C.L.E.”: How the Ever-Changing Media Sustained and Shaped One of the Oldest Fan Communities </span></span>
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<span><span>Cynthia W. Walker</span></span>
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<span><span>Chapter 20: Managing Multiscreen</span></span>
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<span><span>Daniel Faltesek</span></span>
<span><span>Alison F. Slade</span><span> is adjunct at Faulkner State Community College.<br><br></span><span>Dedria Givens-Carroll</span><span> is associate professor at the University of Louisiana at Lafayette.<br><br></span><span>Amber J. Narro</span><span> is associate professor of communication at Southeastern Louisiana University. </span></span>

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